So I finally have some breathing space to actually sit down and write a review. I have been reading but just haven’t had the time to write since my reading is mostly done during my one-hour train commute to work. Well, I was fascinated by The Collector’s cover and the vintage classic which was the first effort of John Fowles (better known as the author of The French Lieutenant’s Woman) was an unexpected treat.
Here’s the basic overview of the plot: Dull and ordinary clerk Frederick Clegg has an obsession. The object of his obsession is a woman, namely a pretty art student named Miranda Grey. After lucking out on the lottery, he moves out from his aunt’s and purchases an old estate with a cellar in country England. This is where it starts getting bizarre. Deciding he has to have the company of Miranda at all costs because he “loves” her, he kidnaps the poor girl and keeps her captive in the cellar which contrasts with his hobby of collecting different butterflies. Essentially Miranda is a human specimen.
The first half of the story is narrated from Frederick’s point of view while the second half is gleaned through Miranda’s diary. It is obvious that these two are far from being a perfect match because their opinions conflict and their individual perspectives are at odds with the beliefs of the other party.
but I have left the best part for last. With the last of Miranda’s diary entries, we come to a plot twist that will shock you about Frederick for whom, nine times out of ten, you would have felt sympathy so far because of his lack of social skills. Reeling with that, we are treated to an unexpected ending which is very ingenuous for book written in 1963. There was a movie made in 1965 but seriously don’t miss out on the prose. I thought Miranda’s rambling went on for a little too long for my liking since I found her own obsession with an older paramour grating but other than that I have no quibbles with it. It is in the face of what happens, I would say, a horror story in the sense of psychological suspense.
So 2011 has said its goodbye. It was a pretty eventful year with two part-time jobs gone and a full-time job gained. So with the arrival of 2012, I’ve got that job in publishing I wanted – it’s a paid one too this time.
I kept my promise of delivering a blog post each week last year (sometimes there were even more than one in a week). Hooray for a non broken New Year resolution from last year! I’m not so sure if I’ll have time to read as much, watch movies as much or go take photos in 2012 as much given the new responsibilities I have but I’ll try.
So I have joined my company’s book club. Unlike me who reads at least one book per week, they read a book per month. So my book reviews will still remain even if my post count might drop and I’ll keep watching movies!
So now we come to the end of the formalities and I’ve even included a review of a little known film from the country I was born in.
Saroja is a film about the conflict that existed between the Sinhalese people of Sri Lanka and the terrorist group known as the LTTE (Liberation Tigers of Tamil Eelam). This created a lot of problems for the peaceful Tamil people not wanting to be involved in the situation but were sometimes forced into terrorism in order to survive.
Note: This civil war started in the early 80s and only ended quite recently after countless broken cease fires and two president assassination attempts – one successful, one not. My school never allowed us to go on an excursion because of the risk and we were learning what to do in case a bomb hit the school – crawl under a desk with a pencil placed in your mouth – from the time we were nine years old. My school included Sinhalese, Tamils, Muslims and Burghers and we all got along. It’s always the grown ups that cause the problems, huh?
Back to the film. Saroja (Nithyavani Kandasami) is a little Tamil girl who hides in the jungle with him after her father is wounded during the war and their house is burned down. When she is searching for food, she meets Varuni (Pramudi Karunarathne), a Sinhalese girl. They both become close friends and the interaction between them is absolutely touching and endearing. Varuni’s family takes in Saroja and her Tamil Tiger father despite the risk involved if they were to be discovered. Of course, the truth comes out when their neighbours pry. The Sinhalese couple harbouring the fugitives points out that Tamil people are also human in their defence with Varuni’s teacher father being the voice of reason and rationality.
While the film has a touching message at its heart, it’s not very original content but at least it wasn’t a Bollywood remake dubbed in Sinhalese like most local teledramas. Nevertheless it was a story that needed to be told and that was done quite effectively by director Somaratne Dissanayake. It comes to a sad conclusion but keeps an element of hope surviving at the finale.
While you already know about how I’m a fan of Asian cinema (despite now suffering from dumbed-down US remakes – I’m aghast about Park Chan-wook‘s Oldboy having an English remake produced; why can’t people learn to read subtitles?), I think Europe does create some special and interesting films. I’ll just discuss three at present.
Das Experiment (2001)
I find it hard to watch violent films but if it has a good reputation, I’ll suffer the viewing experience. This was loosely based on the Stanford Prison Experiment conducted in 1971. For a fortnight, 20 volunteer male participants are hired to play prisoners and guards. The “prisoners” are locked up and have to follow and obey basic rules while the “guards” are told to keep order without using physical violence. Everybody is free to quit when they want and forfeit payment. In the beginning, both groups are insecure but as arguments come up, those with more power in their hands show off their authority by becoming high-handed with it. Meanwhile down-on-his-luck journalist Tarek who volunteered as a participant to write his experiences as an inmate realises as events go down that the experiment is going down a terrifying path it was never intended to take.
This is a great German doco-film about power and its effect on the holder. While the outcome is predictable, what is interesting is the characterisation. It is a conventional tale in the sense of the cat-and-mouse game but is interesting enough to keep you watching to the end.
Patrik, age 1.5 (2008)
The plot is based on this: Göran and Sven (Gustaf Skarsgård and Torkel Petersson) are a happily married gay couple who have moved into an idyllic new suburb with white picket fence front yards and are anxious to adopt a baby. However, no foreign country is willing to give a child to a gay couple and suitable Swedish babies are difficult to find. They are overjoyed upon hearing that an orphaned 18-month old baby is available for adoption but are shocked when their baby Patrik turns out to be a 15-year old homophobic delinquent (Thomas Ljungman) merely due to a misprint in the adoption documents. Given this is the initial premise, it’s not too hard to figure out the ending will turn out for the best ultimately after the new family battle each other’s differing opinions and the prejudices of their neighbours.
What really makes the film is the acting. The three family members are very strong in their portrayal of their relationship with each other given the backgrounds they have come from. Göran is very nurturing and loving while Sven struggles as he has an ex-wife and daughter and is much more masculine than his partner and has his own prejudices in regards to Patrik who tends to comes across as less tough than we expect. It is also admirable that the family seems like an average family going through the trials brought on by life and avoids all cliche references to gay stereotypes.
Cinema Paradiso (1989)
This Italian film which is set in a small Italian village could almost be interpreted as a love letter to the cinema. It mainly dwells on the relationship between the cinema projectionist Alfredo and young Toto. We follow Toto on his incredible life’s journey as he works on his dreams coming true after being encouraged to follow his dreams by Alfredo. Interspersed with this is the portrayal of the development of cinema in a way that’s almost paying homage to the form. I’m not very big on art house but this if you can tolerate the sentimentality is a majestic watching experience especially due to the music by Ennio Morricone.
This is a very simple and straightforward movie, with no big name stars, on the pursuit of a dream vocation by a boy who works on making his aspiration to be a film director a reality, which chronicles his tragedies and triumphs along the way. There are no grand gestures or flourishes here with special effects but Cinema Paradiso still captivated me just with its raw emotions and feelings with its depiction of fulfillment and loss. This film has several stunning scenes with an ending that is a joy to watch and is almost a masterpiece because of its simplicity and message of love.
I’ve been meaning to this for a while now but it was delayed because I was working on the Burwood Bulletin since it’s due to be published in September with three of my six writers off duty. In addition, I got some extra work shifts from my second job. So I actually had to undertake the job duties of a journalist in addition to editing. When I return home, nothing seems better than a good sleep.
It was tough to hit the ground running with this one but I really wanted to share so I’ve got my butt into gear. These films meant so much to me even if they were animated and either dubbed in English or subtitled. What I am talking about are cinematic creations by Hayao Miyazaki.
Howl’s Moving Castle
The first Miyazaki film I watched was Howl’s Moving Castle. Based very loosely on a book by Dianna Wynne Jones, the story is about the adventure of a young girl, Sophie Hatter, who is cursed with an old woman’s body. To break the spell cast on her by the nasty Witch of Waste, she seeks the help of a handsome but terrifying wizard by the name of Howl. His residence is a home that moves. A fire demon in the home, Calcifer, makes a deal with her that he will release her from the spell if Sophie releases him from the contract he has with Howl. The catch is he is not allowed to tell her how she can bring this about. When the disreputable wizard starts to fall for Sophie’s genuine charms, the fun begins. The characters and creatures are crafted excellently although Miyazaki has shown more strength in his character development in other productions. The animation is stunning and we are treated to a moral tale by changes of physical appearance and of character, reducing its preachiness while managing to work well as a lesson. It’s not as bad as Roger Ebert imagines.
The Oscar-winning Spirited Away is another mind-blowing movie by the “Japanese Disney”. Ten-year-old Chihiro, who is moving away with her parents to a new neighborhood, is upset about leaving her old friends and school behind. Her father’s attempt to take a shortcut to their new town leads the family to an abandoned theme park where they find an unattended food stall fully laid out. Her parents dig in but Chihiro is uneasy and frightened. She encounters a spirit called Haku who warns her that she and her family have to leave before nightfall. But when she runs back to alert her parents, they’ve turned into pigs. It turns out she is stuck in a spirit world. So with the assistance of Haku, she gains a job at the bathhouse run by the witch Yubaba. She’s renamed by the witch as Sen and learns if she does not hide her true identity, she’ll lose her sense of self forever. While she is whiny at the start of the movie, the responsibility she is saddled with develops her as a character. She begins learning how to deal with difficulties and becomes a stronger person because of her trials. After her parents turn into pigs, she’s scared and lost, but by the end of her journey in this fantasy spirit world, she is confident and strong. The film is rich in cultural symbolism and was vastly popular with the Japanese audience. It didn’t do too badly in the western world either as Disney took it on board but it did lose some significance in the transition…unfortunately.
I’ve also watched Princess Mononoke, which could be considered an animated fantasy Japanese period drama. A young warrior by the name of Ashitaka is stricken by a deadly curse when he’s protecting his village from a rampaging boar-demon. To seek a cure, he goes to the forests in the west where he finds himself mixed up in a war humans are waging against the forest. The Lady Eboshi and her clan who live in a sacred area use their guns against the forests gods and a young woman, Princess Mononoke, who was raised by a wolf-god. The young warrior sees both sides are good people and the war is unnecessary and does his best to intervene. The groups each begin to think he is working for the enemy while he tries to convince them there are no sides. While this maybe an animated film, it is the adults who will gain more to learn from it. Besides the fact this is mostly hand-drawn makes it a major achievement.
The Cat Returns
A young girl called Haru saves a cat from traffic. She starts receiving gifts and favours from the King of Cats that she does not want for saving him. He wants her to marry his son, the Cat Prince Lune. Her rescue of the cat forces her to involuntarily become engaged to the cat prince in a magical kingdom. She finds the assistance of a real but grouchy cat and an elegant cat statuette that has come to life. These two cats also made a cameo in Studio Ghibli film Whisper of the Heart. They help her to find the way to escape from the cat kingdom. This is a more relaxing and fantasy oriented film with that can be enjoyed in its own right as a splendid example of animation.
Whisper of the Heart
Whisper of the Heart is an animation so sweet that it tugs at the heartstrings. The plot is about a budding teenage romance but this constantly explored theme is given a new veneer as it avoids typical stereotyping. This screenplay was written by Miyazaki but it’s direction was undertaken by another talented man, Yoshifumi Kondo, who died of an aneurysm in the following year. We meet the girl, Shizuku, who regularly checks out books from the library. To her annoyance, someone else is checking out the same books. Later she coincidentally meets the culprit to blame, a boy. He finds a song she’s writing for graduation and tell her the lyrics are corny. Pissed off, she leaves to bump into him again after following a curious cat. Seiji turns out to be the grandson of a violin maker and he himself wants to develop his skill in that art in Italy. When she hears him play, she is entranced and inspired to pursue big dreams of her own by writing a book in the midst of their budding affection for each other. She feels as she is uncertain of the future she wants and he has big plans, they might not suit each other. You’ll see a different ending if you watch the American version but I watched a fan dub and was not displeased with the future marriage possibility discussion by the two adolescents. There is a manga that uses this title but it is not possible to say the print and film versions are the same story.
Last night I watched Limitless at The Halfpipe relaxing with my arms draped casually behind my head while resting my back on the beanbag seat. The movie dragged you in from the beginning because of the artistic manner in which the viewers were told they were going to be taken on a journey. Surprisingly for an action thriller, it began with the narration of main protagonist, down and out writer Eddie Morra. When the audience is first introduced, Eddie is contemplating suicide but then the story moves backward in time to inform us what brought him to this state.
He was introduced to a drug – NZT40. This drug allowed him to extract all the information he had in the recesses of his memory and the book he couldn’t write a page of gets completed in four days. He gambles and makes some winnings. He uses some money he obtain to trade and buy stock and becomes a financial genius all because of the drug that makes him feel invincible. Without it, he can’t make sense of any stock related data. Naturally he became an addict without ever knowing how it was really created but fails to realise his meteoric rise from nowhere is not a secret to some and gets careless in his greed and exposes the girl he loves to danger.
Eddie’s sudden transformation from the unmotivated, slacker, behind-his-rent writer without a chance to charismatic financial daredevil is portrayed very well by Bradley Cooper. This movie takes him from his traditional romcom safe zone to new heights during a particularly gruesome scene involving licking blood. This is an action movie for those who appreciate intellectual dialogue but the plot is full of holes for such an interesting premise.
Nevertheless the idea was a creative and original one even if the approach that was taken could have been improved.
Well, I think it’s time to enjoy some foreign films again even if the English BBC adaptations of detective novels are pretty good. This time perhaps I might give you some insight into the tragicomedy romantic epics of Bollywood. One thing: I hate the song and dance numbers and fast forward the sequence in mute but apparently within the cinematic theatres of India, people get up and dance and sing along with the flick. Now I know, I will never go to watch a Hindi film in India.
Kuch Kuch Kota Hai
The first film I saw in Hindi, which gave me an introduction to the foreign world of Bollywood, was called Kuch Kuch Kota Hai. Roughly translated, it means Something Happens and conveys nothing about it.
The story begins on the 8th birthday of Anjali, the daughter of a widower called Rahul (Sharukh Khan). Her mother Tina (Rani Mukherjee) has left her eight letters with the dying wish that she read a letter each birthday. The eighth letter Anjali receives on her 8th birthday is the last and the most important. It contains a very special request that she reunites her father with an important friend (Kajol) who meant a lot to him. Tina had been responsible for the breakdown of that friendship and wants to mend bridges even after death. This drives the crux of the story but the question is will the gap of 8 years be too late to reunite Anjali’s father with his long lost and much loved friend?
Trust me, you’ll be varying between laughter and tears with this one. But it’s a lovely film with a sweet film. If you enjoyed P.S. I Love You or Dear Frankie, this is your kind of movie with an Indian flavor.
The next Hindi film, which made an impact on me, that I saw was Veer-Zaara.
It is a love story about a star-crossed romance akin to Romeo and Juliet but minus the suicide. Set against the backdrop of a conflict between India and Pakistan, with main actor Veer being an Indian Air Force Squadron Leader and lead actress Zaara being a Pakistani girl from a well-known political family, odds are stacked against their being together. Veer meets Zaara when she makes a pilgrimage to the Ganges to fulfill the last request of her grandmother. When she is leaving, her bus meets with an accident and Veer rescues her and offers her a place to stay and has her meet the people of his village. After she leaves, Veer realizes he is in love and goes after her but his offer of marriage is dissuaded by Zaara’s mother, Mariyam. It would be political suicide for their family if their Pakistani daughter married an Indian. Besides Zaara has to keep her political alliances intact by marrying Rezaa since he will help aid the career of Zaara’s father even if she herself has realised that Veer is whom she loves.
This love held by Zaara makes Rezaa have feelings of dishonor and shame so he has Veer imprisoned on the charges that he is an Indian spy. After he is taken to cell 786, he does not speak for 22 years. A new female lawyer, Saamiya Siddiqui, enters the scene to bring prisoner 786 to justice but he imposes some difficult conditions on her because he refuses to speak ill or testify against Zaara’s family. In addition, her ex-boss who had never lost a case took on the defense. To set Veer free, she travels back to Veer’s village where she finds an unlikely witness.
This is a beautiful film that will haunt you with all the injustice dealt with by Veer and creates questions about how much power higher authorities have. This is a film about racial politics getting in the way of love and succeeding up to a point. If you liked films like The Joy Luck Club and West Side Story, this one’s another you want to watch.
Another film in a similar vein is Mohabbatein in which a strict school principal of a boarding school tries to forbid students from expressing their love because of a tragic personal incident.
Sam at IMDB has written an excellent review of the film so I’ll display his/her work below in a condensed form.
The setting of Mohabbatein is the Gurukul School, an elite school housed in a cold, uninviting, castle-like edifice. Narayan Shankar (Amitabh Bachchan) is the stern, disciplinarian and somewhat tyrannical headmaster of Gurukul who rules the school with an iron fist.
The story begins on a dark and quiet night at the local train stations where three young men, prospective students at the school, meet on the platform and set out on a journey that brings them closer together than they ever could have imagined. Vicky (Uday Chopra) is an athletic, energetic playboy type, seemingly unshaken by the harsh reality of the school. Sameer (Jugal Hansraj) is the timid and shy one with boyish charm and innocent looks. And Karan (Jimmy Shergill) completes the trio as the more mature, intense member of the pack.
The three lads are struck by cupid’s arrow when they meet the three heroines; Vicky loses his heart to a rich and spoiled girl named Ishika (Shamita Shetty) while Sameer is reunited with his childhood buddy, the bubbly Sanjana (Kim Sharma) and Karan falls hard for the bashful widow, Kiran (Preeti Jhangiani).
A glimmer of hope comes their way when a maverick music teacher, Raj Aryan (Shah Rukh Khan) sweeps into the picture and helps nurture their young love.
To read the full review, click here.
When I went to watch The Adjustment Bureau last night, my preconception of the film as the general suspense thriller flick was blown away. Based loosely on the Philip K. Dick short story titled Adjustment Team, the film starring Matt Damon as Dave Norris, a popular politician running for the US Senate and Emily Blunt as Elise the dancer he meets by chance after an oversight by one of the bureau’s case workers is a refreshing work with the year of the sequel phenomenon approaching.
The work of the adjustment bureau is to ensure life goes according to a plan which is traceable in a book written by the head of the organisation named the “Chairman”. It works out according to the plan, Dave and Elise were not meant to meet the way they did. So the case workers who ensure people follow their fates without diverging from their true paths do their best to put obstacles in the way of Dave. But a quick kiss in the men’s stall after Elise crashed a wedding and he was practising his concession speech connects them and manages to make their paths intertwine again because of their recurring chemistry for each other.
Thompson (John Slattery) who is built as the villain of the piece who is determined to thwart their relationship exposes the bureau to Dave and warns him that if he breathes a word of this that his will to think would cease. Interestingly, this movie raises a lot of questions about how much we have an affect on our individual fates and how much of it could be guided for us by a higher power giving it some repressed theological ground. When Dave is informed by Thompson, his chase of Elise would not only have a negative impact on his ambition but also on her dream of being a famous dancer, he abandons her feeling that he is making a sacrifice for her sake.
Later, he spots an article saying that she is to be married to her ex-boyfriend and feels in his gut something is wrong. Harry, a case worker more sympathetic to his cause than the others, provides him the use of his hat which allows him to open doors through New York without the control of his choices being affected. He finally reunites with Elise and when she is tested for her conviction in him, despite initial hesitation her trust in him is repaid with both of them allowed to use their free will.
While the film had an interesting storyline and it was directed well by George Nolfi who succeeds fairly well with his intention of creating it to raise questions but since it leaves a lot open to interpretation and deconstruction by the viewers themselves, it could either be a hit or miss depending on individual personalities and their takes on fate.
I bet you have heard of the saying don’t judge a book by its cover but sometimes in the cases of authors like Cecilia Ahern, it pays off to be seduced by cover art. Armed with the knowledge that it was written by the best-selling author of PS, I Love You (which is an awesome chick flick tearjerker btw), the salmon pink, vermillion and peach yellow cover of Thanks for the Memories (also the title of a catchy Fallout Boy song) with a bottom border of white hearts captivated me despite screaming ‘fluff’.
The back cover blurb persuades you thus:
How can you know someone you’ve never met?
Joyce Conway remembers things she shouldn’t. She knows about tiny cobbled streets in Paris, which she has never visited. And every night she dreams about an unknown little girl with blonde hair.
Justin Hitchcock is divorced, lonely and restless. He arrives in Dublin to give a lecture on art and meets an attractive doctor, who persuades him to donate blood. It’s the first thing to come straight from his heart in a long time.
When Joyce leaves hospital after a terrible accident, with her life and her marriage in pieces, she moves back in with her elderly father. All the while, a strong sense of déjà vu is overwhelming her and she can’t figure out why …
Naturally you’re hooked – we’re all suckers for unknown phenomenons that cannot be explained although some of us are a little less communicative than others about it. In my opinion, stories by Cecilia Ahern seems like Disney distilled into content for adult women. Still, it’s a great formula for success as demonstrated by her penchant for successively making it into bestseller lists.
Justin, on the other hand, can be a bit of a pain to figure out but you realise he’s not as selfish as he is made to look. The support and reunion orchestrated by the friends and families of the main characters is what infuses the book with that grown-up ‘magic’ and combined sense of indecision and spontaneous adventure.
The near misses experienced due to the idiosyncrasies of Justin and Joyce manages the right balance of frustrating the reader without making it exasperating. Three of the characters definitely stand out and Joyce’s Irish father who ultimately gets Justin to think straight is a highlight as you realise how much the old man cares for Joyce while she seems to take him for granted. But given the emotional turbulences she was subject to, it excuses her a little because her trauma was a deep one.
The only place I have recalled a similar storyline was in an episode of Neighbours when Rachel felt a connection with the donor who received the heart of her partner, Scotty, after he fell from a roof and later died from an aneurysm. Although other soap operas could have done this to death and I have no idea because I don’t watch them. That storyline didn’t work out quite as predictably as Thanks for the Memories. With this, you will get the icing on the cake you want when you read these types of stories.
Once I accidentally happened upon Tuesdays with Morrie at my university library while searching for some course text books. So what do I do?
I promptly abandon my text hunting and sit in for a delicious tale written by Mitch Albom about his moments with the retired sociology professor, Morrie Schwartz ; it is about the lessons the author learned from the teacher who had contracted Lou Gehrig’s Disease (ALS). So it was with joy I revisited this author’s writing in The Five People You Meet In Heaven. Unlike my first experience, this time it was fiction inspired by Eddie Beitchman, the writer’s real life uncle, who had lived a life like that of Eddie in the book.
This particular narrative starts with a death – the death of the main character, Eddie the maintenance man on Ruby Pier, on his 83rd birthday to be exact. This birthday incident is notable because you realise lots of events of significance happened on his birthdays.Small little interconnected coincidences, to which readers are clued in by the narrator, lead to an accident at the Ruby Pier amusement park that finally leads to Eddie’s death as he tries to rescue a young girl. This is why the book starts with a chapter titled ‘The End’.
We are then given some insight into his journey through heaven after his passing away.Through this trip, we are treated to glimpses of five people on whom his past had a significant impact. His first encounter is with the blue man, a former circus freak, who imagines the Ruby Pier of Eddie’s childhood as his own heaven. Eddie had been indirectly responsible for his death but he tells Eddie events are not that random and lives intersect for a reason.
The second stage of heaven brings Eddie to a scene of war torn desolation during WWII. His new mentor turns out to be his war captain with whom he fought in the Philippines, where they became prisoners of war for a brief period. Eddie uses his circus skills to escape their confinement but feels too paralysed to leave at the last moment after he helps to set the war camp on fire. The captain had promised his subordinates that he would not leave anyone behind. To fulfill this promise, he shoots Eddie in the leg to make it easier to get the evacuation underway. Initially Eddie is angry with the captain who had been waiting to ask his forgiveness but realises the man suffered a worse fate than him. He teaches Eddie about sacrifice.
Next Eddie meets an elderly Ruby, a woman he has never met before. She turns out to be the namesake of the amusement park where he worked all his life. He meets her in a diner where she had worked when she was young and where she had met her husband, Emile – the creator behind Ruby Pier. She tells him the misconceptions he had entertained against his father were far from the truth despite their conflicts. She was privy to his deathbed confession because Emile was in the same room. She tells Eddie about the importance of forgiveness.
Finally Eddie comes face to face with Marguerite, the love of his life. Their marriage was happy but childless so they had put in an application for adoption. Before this can take place, Eddie is involved in betting high stakes at the track. Worried about him, she drives to meet him but meets with an accident when some drunk kids drop some whiskey bottles that land on the car. This causes unforeseen medical expenses and their application for adoption is rejected. Although the accident creates tension between them at first, they overcome this situation until tragedy strikes again taking Marguerite. He meets her in a succession of wedding parties belonging to different cultures where she teaches him their love was neither snatched too early or torn to pieces as he had thought.
His final teacher is Tala who meets a grisly fate due to his hand at war camp. This explains why he felt he could not leave but his war captain shooting him ensures his survival. Tala tells him his life as ‘Eddie Maintenance’ was an important one. His ability to keep an eye on the proper functioning of the rides meant lives were saved – both the born and unborn. Eddie is a man who feels has not achieved what he has set out to accomplish because by a set of unfortunate circumstances, he inherits a job he despises but stays because he feels obligated to continue the job his father had. Tala, who meets him near a river, teaches him the meaning and purpose of his work at the pier was to save and protect the children. Eddie’s life ends with him doing what he had done for his entire life.
Rich in symbolism, motifs and imagery of rebirth and redemption, The Five People You Meet In Heaven is a tale of inspiration about an unsung hero.
- To watch Tuesdays with Morrie trailer, click here.
- To watch The Five People You Meet in Heaven trailer, click here.