I have shared my opinions about some of the recent Western films but it has been a while since my exploration of foreign films were publicised.
Tada, kimi wo aishiteru (Heavenly Forest)
In the Japanese movie Tada, kimi wo aishiteru (aka ‘Heavenly Forest‘), we are introduced to Makoto (Hiroshi Tamaki). He is a shy photographer who is a loner, partly because of an embarassing skin condition and finds it difficult to share confidences with others until he meets Shizuru (Aoi Miyazaki). She befriends him just before their university orientation after he takes a snapshot of her trying in vain to get cars to stop at a crossing. Their budding friendship allows Makoto to tutor Shizuru in the art of photography in a special location – the ‘heavenly forest’ of this title.
It is clear that although Shizuru is very small for her age and has odd quirks, she genuinely cares for Makoto. He on the other hand is infatuated with Miyuki (Meisa Kuroki) who has a rather disturbing obsession with weddings. Finally realising her feelings are unlikely to be requited, Shizuru makes friends with Miyuki herself. Prior to graduation, Shizuru requests a special birthday kiss from Makoto. He agrees only because she says it is for the purpose of a photography competition. When he makes no acknowledgement of having feelings for her after the kiss they share in the forest, Shizuru disappears completely from his life.
It is only when she is missing that Makoto realises the big impact she had on his life and takes it on to search for her. Except he does not know that Shizuru has kept her own secret from him throughout their friendship, although she discovered his. Then he hears from Miyuki there is an opportunity to see Shizuru once again. The meeting turns out to be completely different affair from what he expected.
This film tells us not to take what you get for granted because you might only realise what you had after you lose it, promotes the beauty of the natural world through the stunning still photography and even the haunting music is captivating because this story is deeply engaging with a universal theme.
Time Traveller: The Girl Who Leapt Through Time
You might know of the animated title of the same name which won several awards that was directed by Mamoru Hosada. This live-action Time Traveller: Girl Who Leapt Through Time movie contains similar themes but uses a different plot. The 2010 film stars Akari (Riisa Naka) – the same actress who voiced the protagonist of the animation – as the daughter of Professor Kasuko, who is given a mission to deliver a message to Kazuo Fukamachi (Kanji Ishimaru) in the year 1972 when a bus accident makes it impossible for her mother to fulfill a promise. The time travelling is possible because Akari’s mother develops a formula that enables her to return to and from the past.
Unfortunately Akari mixes up the dates and ends up in 1974, two years later from the actual date, where she meets Ryota (Akinobu Nakao), a budding filmmaker. His friend, the cameraman Gotetsu (Munetaka Aoki), has a deep connection to Akari but this realisation does not strike her until she returns to the present. Meanwhile Ryota and Akari share a sweet but sort of awkward chemistry which is obvious through the significance of the movie reel she is able to take to her present. Most of her time in 1974 is focused on her search for the elusive Kazuo. Even her own mother whom she meets is unable to help her. Ryota gives her help with her search by accompanying her to put an ad in a newspaper that requests Kazuo to meet with her. After she delivers her message, she remains in 1974 because she wants to prevent an accident but she is kept from altering the course of history by Kazuo himself.
So when Akari is forced to return back from the past, it’s a bittersweet pill to swallow given what could have blossomed. This too is one of those movies that depict images captured on film can leave a legacy. Both emotional and powerful in its climax, this is not one to discount in its effect.