Love Never Dies (Play)

07/04/2011 at 2:20 AM (Art, Performing Arts, Theatre) (, , , , , , , )

Love Never Dies, the sequel to the Phantom of the Opera, was a spectacular theatre performance in almost every aspect. Only being staged in a few select locations in the world, I was thrilled to be watching it at the Regent last night. The premiere performance of the show was attended by Andrew Lloyd Webber himself. Soon as I saw the magnificent and elaborate set which was complemented by skilful lighting and the Edwardian elegance of the setting, it took my breath away. Luckily my friend had secured some mid row seats which meant we had a fairly good view of the proceedings onstage.

This performance had a darker atmosphere as it was set in a circus in Coney Island, New York – home to freaks, the grotesque, the sinister and the weird. Naturally, such a place being the abode of the disfigured phantom (played by Ben Lewis) made sense. His opening number, the emotion stirring ‘Till I Hear You Sing comes at the very beginning and its haunting melody lingers with you until the very end. We are first introduced to the circus called Mr. Phantasma by three narrators: a dwarf, a strong man and a tall man. They were framed by a large white phantom mask that encompassed the stage and glowed with a red eye. According to the storyline, Christine Daae (played by Anna O’Byrne) is apparently coming to America to conduct a performance for Mr. Hammerstein in order to pay off gambling debts incurred by her husband, Raoul (played by Simon Gleeson). But the mother of the star singer of the circus, Madam Giry (played by Maria Mercedes), who had smuggled the phantom of the opera to Coney Island from Paris knows the impending visit will only threaten the future of her daughter, Meg (played by Sharon Millerchip), the current star of the show who wants the attention of the phantom, the owner of the circus.

When Christine and Raoul visit New York, they are accompanied by her ten-year-old son called Gustave (played by Kurtis Papadinis). He displays an astonishing talent with the composition of music and while he tries to get his father interested in his playing, Raoul shows no inclination or interest in his ability with the piano. He asks his mother if his father does not love him and she responds with a song asking him to see the love with his heart. Then after Raoul is summoned to conduct a business transaction with Mr. Hammerstein, the phantom visits Christine and then asks her to sing a song composed by him instead. This is when the phantom meets Gustave and is introduced by his mother as an old friend. It is only when the phantom hears the boy play the piano, he realises the boy has talents with striking resemblance to his own. Then he takes the boy to a place like another world where the song changes pace as it becomes a rock song called The Beauty Underneath which was a highlight, glass pyramid like rotating structures carrying mythic creatures inside spun on stage and the lights pulse in a bright orange glow.

Love Never Dies

But it was too early to reveal the truth about his face to young Gustave, who recoils in horror. Meanwhile feeling ignored and unwanted, Raoul spends time getting drunk at the bar. In his drunken stupor, he takes on a challenge proposed by the phantom. If Christine does not sing, Raoul will be free to leave with her and all his debts repaid but if she chose to sing, it would mean Christine had selected the phantom instead. This disappointed me because it made the phantom into a villain, Christine into a deceptive wife and Raoul into an ill-used man who had been burdened with bringing up the son of another man. This interpretation is not perhaps the expected one.

Unfortunately, Christine chose to sing, Raoul left her and she was reunited with phantom briefly until Meg’s jealous rage stepped in and she ran off with Gustave. When Meg finally had the attention of the phantom as she was on the brink of suicide, she tried to perform Bathing Beauty – which was a cheeky but cute number prior to the song by Christine. But the phantom as he tried to stop her made the mistake of telling her that not everyone was like Christine. Meg sets off the gun and the consequences ensure there would be no possibility of a sequel unless it was to be about Gustave. As she lies dying, his mother tells him the truth about his real father but he is at first hesitant to accept the fact. After he runs off to bring back Raoul, the phantom steps away to the side but the finale of the show is when Gustave gets brave enough to see the phantom without the mask.

Since this story is different in its characterisation to the original by French author Gaston Leroux, while I was definitely surprised at the tragic ending, it pleased me the scheming machinations of the phantom ultimately got rid of the trouble-causing woman. Despite the storyline not living up to that of its predecessor, it is worthy of Broadway just for the visual design of the set and the theatricality of the deeply hued costumes.


  1. theveryhungrybookworm said,

    I had no idea that there was a sequel! I agree with you that I don’t necessarily like how they are characterized (much different than in the original), but it sounds like an interesting story nevertheless.


  2. Will You Please be Quiet, Please? « Between You and Me said,

    […] watching Love Never Dies, I read this book of short stories of the above title by Raymond Carver on the one-hour train trip […]


  3. howardms said,

    I’ve really wanted to see this — I’ve just never heard of it touring (I live in Austin, but wish I lived closed to Times Square or London’s West-End) and if it DOES tour, then it hasn’t toured anywhere close to me.


    • leadinglight said,

      It actually started in London but the composer found their version a bit flat and not grand enough. So theatre people in Australia said they will take it on. So the Australian version and the London version will not be the same. But this (which was in Melbourne,Australia) will go to the US if it succeeds with local audiences here. It was much better received by the composer than the London one for sure.


  4. Kym said,

    I loved this so much I saw it multiple times and became a little incenced at all the negative reports I read from fanatics who hadn’t even seen the show/

    Thank you for this refreshingly honest appraisal. People should see it for themselves – I am yet to meet anyone who has seen it and actually hasn’t enjoyed it!


  5. gemmy said,

    A perfect sequel,despite what LSD say,I still remain this show’s fan.the music,the sets,the costumes and especially the casts are all amazing.


  6. AngelofMusic said,

    I too agree that Love Never Dies is worthy of Broadway…and keeping fingers crossed that it makes it there sometime soon. I’ve seen the show a few times and will definatly be going back for more. The Australian production is amazing … Ben and Anna make a wonderful Phantom and Christine and the staging/! Simply spectacular. If you ever get the chance to see this wonderful show id highly recomend that you do..its a musical not to be missed.


  7. LNDFan said,

    I watched the London version 11 August 201. What can I say. That score is ALW at his best. The story was moving. The acting, outstanding. And the AU versions seems even better…..I can’t wait to get the DVD!


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