Gillian Flynn is a master of the craft when it comes to producing extremely irritating, mentally damaged characters who are a complete mess. It is no different with the emotionally troubled, parasitic protagonist of her novel Dark Places, Libby Day. The author does a great job with Libby’s first person perspective of her struggles in the present while a third person narrative gives readers insight into the mystery of happened to her family in 1985 highlighting this story is more character-driven than plot-driven.
In the present, friendless and forgetful Libby is finding it hard to fend for herself. The fact she’s a kleptomaniac does her no favours. The primary source of income Libby has been living off, the trust fund created when donations poured in after the murders, is starting to dry up.
Back in the past in 1985, her mother, who is heavily in debt, and two sisters are brutally killed. 7-year-old Libby lives because she flees the house, and ultimately it’s her testimony that convicts her brother Ben of the crime. Allegedly, Ben is a Satanist who lost control after getting in too deep with a bad crowd. The Kill Club, a group of amateur investigators who think that her brother is innocent get in touch with Libby and she reluctantly agrees to a paid appearance because she’s desperate for cash. While she is not keen about their focus on her brother, the potential of earning money entices her into visiting people connected to the murders. Suddenly as knowledge sinks in as an adult, Libby starts having doubts as to if Ben was the killer.
The ending was a bit too tidy for my liking and kind of disappointed me after the stellar one in Gone Girl, but I won’t say much about that as it will spoil the story. This is not a true who-dun-it but explorations of the inner workings of the psychologically warped. For those who are interested, these points illustrate key changes made to the Dark Places movie adaption by Gilles Paquet-Brenner.