Although fictional, the debut novel and Stella Prize winner The Strays by Emily Bitto is somewhat influenced by the story of the Heide Circle of Melbourne and is a fascinating narrative of idealised dreams, emotional sacrifices and conflicted loyalties mostly set in the atmosphere of 1930s depression-era Melbourne.
Only child Lily makes a connection with Eva, the middle daughter of the Evan and Helena Trentham, on her first day at school that evolves into a complex and deep friendship. When tragedy befalls her family, Lily takes the opportunity to stay with Eva and the community of bohemian artists who are given residence to pursue their creative passions at the Trentham home. It becomes obvious this is not an appropriate environment for children as the artists are far too engrossed in their work to do any thing as mundane as looking after the kids, who need a responsible adult in charge. As they navigate their teenage years, Eva starts to keep things from Lily until she realises things have gone too far when she finds out Eva has been having a sexual relationship with an older resident artist who she had thought was interested in her and that starts the cracks in their trust. Upon being exposed, the artist who has also been upstaging Eva’s father leaves but not alone (he leaves with not one but two girls) leaving a scandal in his wake.
What stood out the most to me was how much power author Emily Bitto’s prose gave to the mediums of art and literature, also my passions. The descriptive passages were not too long-winded and the characters were of sufficient interest to keep reading The Strays until I found out how Lily responded to the invitation she received at the beginning.