Cloud Atlas

10/24/2017 at 11:21 PM (Books, Movies, Science Fiction, Uncategorized) (, , , , , )

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I don’t think I’ve read a novel so surprisingly excellent since Jonathan Strange Mr Norell. Actually, I have. What I meant to say is that I’ve read nothing as epic. My attempts to explain Cloud Atlas to people have met with changed subjects.  Let me try: the book is like 6 perfect little novellas, arranged as Russian dolls, and as you read, you bore in, and bore back out. Each doll is a different period in time, the outermost being in the early 19th century, the latest being somewhere around 2200. Four of the six are genre pieces: historical maritime fiction, crime novel, dystopian sci-fi, and post-apocalyptic sci-fi, with all their tropes rendered with loving affection. But they are just written so well that they are irresistible. The pieces placed in the 1930s and the present day are also wonderful, but certainly aren’t the type of fare I normally seek out. I am far from being a fan of science fiction.

But yes, exceedingly well written. What’s it about? Well, there’s the journal of an American notary returning home from the Chatham Islands aboard a suspect ship in the 1830s; a young composer cuckolding an older colleague while helping him write new works, who documents his affairs and foibles in letters to his former lover; there’s a true-story thriller about a Californian journalist in the 1970s planning to out a corrupt and deadly energy company for concealing a safety report damning their new nuclear energy plant; the soon-to-be-filmed chronicles of a publisher in the present day whose attempts to escape the extortionist cronies of his gangster star author land him in a Draconian nursing home reminiscent of One Flew Over the Cuckoo’s Nest from which he cannot escape; there’s the future testimony of a Korean clone bred for service in a fast food joint but who, via the machinations of forces many and penumbral, gains full consciousness; and finally “the Huck Finnish tale of a post-apocalyptic Hawaiian ‘primitive’ and the ‘civilized’ researcher sent to study his society”. Whew! The characters of each story find themselves reading their predecessor, and sometimes characters overlap a little. Each story features a character with the same birthmark, and they all seem to experience deja vu from characters in other stories. Now it sounds corny. But my promise to you, is that it is cool.

I guess the book is primarily about the will to power. Slavery and subjugation, small personal cruelties, corporate greed. Its premise is something I still don’t know.  Please read this book so, at the very least, you can explain it to me. A movie might be easier to watch than reading Cloud Atlas.

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Mission: Impossible – Rogue Nation (Movie Review)

10/17/2017 at 6:06 AM (Actors, Crime, Mystery, Nostalgia, Politics, Romance, Science Fiction, Thriller)

Mission: Impossible – Rogue Nation is a 2015 American action secret agent film co-authored and also directed by Christopher McQuarrie. It is the fifth installment in the Mission: Impossible film series. The film stars Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, and Alec Baldwin with Cruise, Renner, Pegg, and Rhames reenacting  roles from prior Mission: Impossible films.

I am not into too much blood and gore so the theatrics in Mission: Impossible suit me better as I like the fact it isn’t realistic and pulling off is less tawdry because it is presented in a more stylised way within its action frames. Rogue Nation is produced by Tom Cruise, J. J. Abrams, and David Ellison. In the film, IMF agent Ethan Hunt is on the run from the CIA, following the IMF’s demobilisation as he tries to prove the existence of the Syndicate, a secretive universal terrorist consortium.

The film Mission: Impossible – Rogue Nation needs to be seen for its action. Talking too much about the plot in a review does no favours to this style of movie. It needs to be watched while having dinner with friends or partner.

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Slaughterhouse Five

11/08/2011 at 2:06 PM (Books, Classics, Science Fiction) ()

Slaughterhouse-Five by Kurt Vonnegut is about accident-prone soldier Billy Pilgrim who does not happen to like war and consistently bungles his duties. Captured by the Germans during the Battle of the Bulge, he and his comrades are kept in an abandoned slaughterhouse known as “slaughterhouse number 5”, hence the title. During the bombing of Dresden during WWII, both Billy’s fellow prisoners and the Germans hide in the cellar and manage to be some of the few who survive. Sounds OK so far but now get ready for the arrival of some sci-fi detail.

In addition, Billy is also an optometrist in a dull marriage who claims he was abducted by aliens from Trafalmadore; these aliens can see four dimensions and have witnessed their futures but are powerless to change it although they can choose to relive and reexperience specific moments continuously. These creatures, we are led to believe, exhibit Billy in a zoo with a B-list film actress Montana Wildhack selected as his “mate”. He even knows and expects when he is to die. So time travelling Billy moves forward and backward in time, while he relives occasions of his life, both real and fantasy.

Slaughterhouse-Five Kurt Vonnegut cover

The experiences Billy relives again includes being a captive zoo exhibit in Tralfamadore, Dresden during the firestorm, Germany just before his capture, his dull post-war life in USA and the moment of his murder. Billy’s death is caused by a chain reaction of events that precipitate his death. Before the Germans capture Billy, he meets soldier Roland Weary, a bully who picks on Billy due to his lack of zeal about war. When they are captured, the Germans confiscate everything Weary has including his boots and gives him wooden clogs to wear. He dies of gangrene brought on by the clogs. On his deathbed, Weary convinces petty thief Paul Lazzaro that Billy is to blame; Paul vows to avenge his death by killing Billy. But while Billy knows how, when and where he will die, he can’t do anything to change his fate. He relives these experiences in fragments of bits and pieces in no particular order.

Still as protagonist Billy Pilgrim is a time traveller, who experiences random events of his life, with no idea of what part he will live again — so, his life does not end with death; he re-lives his death, before its time (just like Time Traveller’s Wife although this is more of a absurdist postmodern book rather than a romantic novel), like another experience mingled with his other experiences which seem to have a sharper edge to them in any case. While the book is interesting in its exploration of free will or lack thereof depending on how you choose to interpret the underlying message, I found that I’m one of those people pigeonhole Slaughterhouse-Five as belonging to the science fiction genre even if it’s an anti-war novel but please keep in mind I tend to hate anything that references aliens of the non-immigrant variety  as much as I dislike Jane Austen. So for a different point of view, check this review out.

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