On her fifth wedding anniversary, Amy Dunne has disappeared when her husband, Nick, arrives home. It appears there has been some commotion at home but to some investigating police officers, it looks too much like organised clutter. Being the husband, Nick is the obvious suspect and Amy’s parents start to slowly distrust him after he fails to show adequate grief for someone who lost his wife on national media. It turns out that Nick has secrets he has been hiding from wife and her adoring parents because their marriage has been rocky but the police have doubts as to whether he actually murdered Amy because there is no body. His only supporter is his twin sister, Margo, who never liked Amy.
The second half of the book takes a surprising twist showing that Gillian Flynn had been “gaslighting” her readers for the first half which is the entire theme of the book. I probably shouldn’t say more as I’ve already said too much. This is probably one of the best deeply deranged thrillers I’ve ever read given the well-written prose, but Amy’s characterisation has a lot more depth than Nick’s. I just finished reading American Psycho by Bret Easton Ellis and while Gone Girl isn’t that gratuitous or nihilistic, I couldn’t help but feel there were some not so obvious parallels about creating a facade.
While I have no qualms with encouraging people to read the book, people who only watch the David Fincher movie based on the book are missing out as they have changed some key elements of the story, including what happens with Desi. The casting of Rosamund Pike was great for “Amazing Amy” but I couldn’t really swallow Ben Affleck as the hipster golden poster boy, Nick. Usually books told in multiple perspectives don’t translate so well into film as major plot details end up being omitted in order to maintain suspense. Some people find reading the book gruelling as it gets off to a fairly slow start but I found the movie more difficult to follow than Flynn’s novel which kept me awake until ungodly hours.