After finishing Gone Girl and Dark Places, Gillian Flynn’s debut novel Sharp Objects was on my high priority to read list. Now the deed is done. The first one blew me away with its complexity, the second one scared the hell out of me but being from a medical family and an avid fan of Law & Order and other police procedurals, the twist in this one didn’t surprise me as much because the symptoms were recognisable from the outset. Being set in the small town of Wind Gap, the suspect pool is pretty limited so this narrative is really about the guilty party’s motivation behind the murders of Ann Nash and Natalie Keene who were choked to death and found without their teeth.
Recently released from psychiatric care after a relapse into cutting herself, Camille Preaker, a reporter, is sent by her editor, to her hometown of Wind Gap to cover the murders for the Daily Post, the fourth-largest newspaper in Chicago, because he believes a serial murder case could boost the paper’s profile. This requires a reunion with her mother Adora who obsesses about ailments and her confident, fearless 13-year-old half-sister, Amma, which she isn’t keen about because unresolved ghosts of the past contribute to her mental issues.
Camille initially works alongside the police and detective Richard Willis with whom she strikes up a relationship until she seeks comfort elsewhere with a primary suspect. The author shows it is hard to keep things hush-hush in a small town and no-one can avoid suspicion. The path to identifying the perpetrator responsible for the murders before they strike again puts Camille on a head-on collision course with confronting the past she has attempted to escape.
Given she doesn’t damage anyone, the character of Camille is more sympathetic than Libby Day from Dark Places or Amy Dunne from Gone Girl but to be honest, she was too old to be having such childish issues. Some behaviours she exhibited suited a younger character who was about 19 or so. The character Amma interested me more given her powers exuded over the townsfolk and what the ending revealed about her was more telling than the truth about her mother. What fascinates me the most about this book is that in spite of this being a story about bad women, it is a feminist novel.